19.30 LA VISPERA(ES)/fragments

A woman’s body is at play, surprising, distorting, and endlessly reproducing itself. At the center of a larger scene, a pole, the backbone on which everything rests, supports and breaks down a being on the edge of humanity, between its own limits and infinity.

Faces hidden beneath each other, a thousand personalities are created and undone, loved and hated. Fragments of self that each one can recognize on stage.

Using circus as a tool that blurs the boundaries of everyday bodily movement, along with an exploration of puppet-prostheses and

masks, we explore the deformation and disintegration of the corporeal and the mental, approached with a sharp and ironic acting

style.

20.30 + 21:00 ANDRO MANZONI AND EMILIE LARGIER(HR/FR)/ 0111000_

0111000_ is a new multimedia installation, co-created by multidisciplinary artists Andro Manzoni (HR) and Emilie Largier (FR), immersing audiences in the nervous fragility and complexity of intimacy within a sonic and abstract landscape, where digital, synthetic, and organic forms converge to create a multi-sensorial experience.

Duration 25 min.

21.30 MARINA CHERRY(US)/ only bones

Lanky loidlings.

Squishy Schloompings. 

Spiky Spa-doo-dlings. 

Marina Cherry squeaks, zooms, and tiptoes through a micro-space. Fragmenting pieces of a personaluniverse spill over the stage for her solo performance, Only Bones v1.6. 

Intriguingly engulfing, sporadically disturbing, this quirky conglomeration is a look into the many inner worlds of the human- a follow-up project to the original Only Bones (v.1.0) created by Thomas Monckton. In a balance between theatrical and physical, Marina plays with the limits, researching innovation amongst extreme constraints. Using only one light, it’s a maximization of the minimal. 

22.45 METTE LOULOU VON KOHL(US)/ there are no words, so may it be the end

Centering queer sensuality, pleasure, and fantasy, There are no words, so may it be the end satirically comments on the “counter-terror” industry of Zionist state. The performance interrogates how the success of the industry is dependent on the constructed identity of the Zionist State as existing in a perpetual state of defense and moral exception. 

There are no words, so may it be the end is a multivocal, multimedia solo performance proposing Palestinian refusal to be seen and unseen as a glitch that destabilizes settler colonial projects and identities.